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HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione

Papibois

2:13	Est. Play Time
75	Measures
	1,156Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	5	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basse	10	1	2	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 2

Papibois

2:13	Est. Play Time
75	Measures
	1,163Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

Work of Zwink 9

Zwink, Tyler

4:32	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	5	3	85%
	16	14	4	4	96%
Bass	13	1	3	7	68%
Electric Guitar	11	0	3	4	35%

xerxe's crude furie

StJohn Woollacott

2:11	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	5	5	96%
Violin	24	0	5	6	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	5	5	96%
Violin	24	5	6	90%
	17	2	5	90%
Viola	15	1	5	90%
Xerxe	14	3	7	78%

Wagner - Die Miestersinger Von Nurenberg Overture to Akt 1. [Professional production full score.]

Jamie Holdham

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2. VIOLINEN.	20	15	6	4	100%
BRATSCHEN.	23	18	6	7	100%
Violoncelle.	25	2	8	7	100%
2 FAGOTTE.	29	15	10	6	98%
1. VIOLINEN.	22	12	4	5	96%
4 HORNER in F.	17	0	5	6	96%
Contrabasse.	19	0	6	6	96%
Horn in F	14	0	4	6	88%
3 POSAUNEN.	13	0	4	6	82%
2 HOBOEN.	17	0	5	4	82%
BASS-TUBA.	23	0	5	6	79%
2 CLARINETTEN. in B.	15	0	4	4	77%
1 und 2 (F). 3 TROMPETTEN. 3 (C).	12	2	1	6	77%
Bass Trombone	14	0	2	6	68%
PAUKEN (C u.G).	2	0	0	2	29%
2 GROSSE FLOTEN.	7	0	1	2	25%
C Trumpet	5	0	0	4	25%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Ténor 1	13	0	2	4	93%
Ténor 2	13	0	3	4	93%
Soprano 1	15	0	4	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	0	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	72%

HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)

edward.maurath

2:16	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Contniuo)	12	0	4	3	100%
Harp (Continuo)	18	40	5	3	97%
	17	20	5	4	83%
Esilena	15	0	6	6	97%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - SOPRANO 2

Papibois

2:13	Est. Play Time
75	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - TENOR 1

Papibois

2:13	Est. Play Time
75	Measures
	1,162Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione-SOPRANO 1

Papibois

2:13	Est. Play Time
75	Measures
	1,158Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenore 1	13	0	2	4	92%
Ténore 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basso	10	1	0	4	87%
Soprano 2	13	0	5	4	87%
Gianetta	9	0	0	4	55%

HWV19A3N20 - Vivi, tiranno (Bertarido) in Bb Major

edward.maurath

5:15	Est. Play Time
113	Measures
	1,931Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ Continuo	23	51	5	7	82%
	20	1	4	6	98%
Cembalo Continuo	22	51	5	7	79%
	23	21	5	6	98%
Bassoon Continuo	20	0	4	6	95%
Violin 2	21	0	6	5	87%
Violoncello Continuo	19	0	4	5	82%
Double Bass Continuo	19	0	4	5	81%
Viola	16	0	2	4	81%
Castrato Alto as Bertarido	14	0	4	8	66%
Violini 1	15	0	4	5	65%
Oboe 1	15	0	3	6	42%
Oboe 2	20	0	6	6	42%

TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale

Papibois

0:48	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
Bass	11	1	2	5	100%
Soprano 1	14	0	2	5	100%
Soprano 2	13	0	3	5	100%
Tenor 1	14	0	2	5	100%
Tenor 2	13	0	3	5	100%

HWV5A1N24 Cara Sposa, amante cara, dove sei?

edward.maurath

12:13	Est. Play Time
93	Measures
	1,084Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin II	21	0	6	6	98%
Violin I	21	0	5	6	96%
Viola	18	0	4	5	95%
Cembalo Continuo	25	63	8	6	64%
	26	57	6	6	75%
Cello	22	0	5	6	73%
Rinaldo	16	0	6	5	73%
Double Bass Continuo	22	0	5	6	72%